something like a...

May 22

The Original Selfie: Self Portrait 
So much more work to do.

The Original Selfie: Self Portrait
So much more work to do.

If the “idea is King,” he has to have a Queen. Check out my memorandum on innovation at www.posthuxabletheory.com and read the article in its entirety in volume II of neonV “the magazine for the contemporary peculiar woman” pre-order your copy at: www.neonVmag.com/subscribe

If the “idea is King,” he has to have a Queen. Check out my memorandum on innovation at www.posthuxabletheory.com and read the article in its entirety in volume II of neonV “the magazine for the contemporary peculiar woman” pre-order your copy at: www.neonVmag.com/subscribe

May 20

[video]

May 16

The Nature of Ambition can lead you right back home. #there

The Nature of Ambition can lead you right back home. #there

May 04

Sometimes, I write what I think, a bit of what’s going on over at Post Huxtable Theory.
posthuxtabletheory:


Memorandum*
 
To: All Nostalgians
 
From: A Hybrid Chic
 
Subject: Innovation
 
Date: Now
 
“…constant evolution causes expansion”
(Lewis, “Evolution” Black Cool: One Thousand Streams ofBlackness 130).
 
Here lies a brief assertion, which deconstructs a thought I have had over a year, on the crippling effects nostalgians can have on the creative culture—when they are afraid of the future. It is with great hope that you will read the following words and evolve courageously, so that our world may expand with the most peculiar and brilliant minds that our culture has ever known.  
 
The Post Neo-Romantics:
 
Who’s Afraid of the Future?
 
March 31, 2013
 
The Problem
 
For the past six years, the U.S. has shifted in what many deem a downward motion of economic and social uncertainties, and the view of the good ole days can seem so much brighter. Just as nostalgia was utilized as a trope in Neo-Romanticism, so has it reappeared—remixed—in a Postmodern utopian cultural landscape of the Post Neo-Romantics.  As we wrestle with the prefixes ‘post,’ and ‘neo,’ we question ourselves, and therefore deconstruct the notions of newness and originality. How can anything old become new again—without it being just redundant? The simple answer: change the mentality behind the question.
 
Post Neo-romantics are too in love with the past, yet critical of tradition and uncertain of the future. Ironically, a large population of the inhabitants of this utopian cultural landscape, are mental wanderlusters: people who were not born in a certain decade, in which they culturally identify with, yet they have mentally travelled to that specific space in time, and adopted the cultural, not social, characteristics of decades past—as if it were present day—so, they are unable to connect to present culture, nor add to future culture. 
 
Being too nostalgic can cripple creativity as a thinker is solely stuck at looking only at the past. Yet, if the creative takes inspiration from his/her heroes’ works, eras, cultural concepts, etc., and studies and analyzes it, then add their personal touch to it—innovation ultimately occurs.
 
I have written this brief memo as a starting point: to cease imitation, which is caused by fear, and to create innovation. 
  
A Solution
 
“There is no creativity and innovation without failure.”- dr. brené brown
 
Cliché as it may be, change is inevitable; nothing stays the same, so you might as well suit up and go for the ride—of course, with plan a, b + c in hand—then again, those plans may require plan d.
  
Innovation Is Queen
 
Call it the new Feminist Theory, or just what it is—if “the idea is king,” innovation is queen (Katzenberg, 1991). Sitting on a throne all her own, she is an analytic problem solver, quick witted, charismatic and even ideas are strategically protected by her. Although there are a lot of oppositions to ideas, there is no limit to her innovative moves—don’t give up, victory is a process that sometimes, takes us off course.
 ………. 
pre-order volume II of neonV ”the magazine for the contemporary peculiar woman,” to read this article in its entirety and more, here. 
 
Source:
Photo: *Edited version via  @stopbeingfamous

Sometimes, I write what I think, a bit of what’s going on over at Post Huxtable Theory.

posthuxtabletheory:

Memorandum*

 

To: All Nostalgians

 

From: A Hybrid Chic

 

Subject: Innovation

 

Date: Now

 

“…constant evolution causes expansion”

(Lewis, “Evolution” Black CoolOne Thousand Streams ofBlackness 130).

 

Here lies a brief assertion, which deconstructs a thought I have had over a year, on the crippling effects nostalgians can have on the creative culture—when they are afraid of the future. It is with great hope that you will read the following words and evolve courageously, so that our world may expand with the most peculiar and brilliant minds that our culture has ever known. 

 

The Post Neo-Romantics:

 

Who’s Afraid of the Future?

 

March 31, 2013

 

The Problem

 

For the past six years, the U.S. has shifted in what many deem a downward motion of economic and social uncertainties, and the view of the good ole days can seem so much brighter. Just as nostalgia was utilized as a trope in Neo-Romanticism, so has it reappeared—remixed—in a Postmodern utopian cultural landscape of the Post Neo-Romantics.  As we wrestle with the prefixes ‘post,’ and ‘neo,’ we question ourselves, and therefore deconstruct the notions of newness and originality. How can anything old become new again—without it being just redundant? The simple answer: change the mentality behind the question.

 

Post Neo-romantics are too in love with the past, yet critical of tradition and uncertain of the future. Ironically, a large population of the inhabitants of this utopian cultural landscape, are mental wanderlusters: people who were not born in a certain decade, in which they culturally identify with, yet they have mentally travelled to that specific space in time, and adopted the cultural, not social, characteristics of decades past—as if it were present day—so, they are unable to connect to present culture, nor add to future culture.

 

Being too nostalgic can cripple creativity as a thinker is solely stuck at looking only at the past. Yet, if the creative takes inspiration from his/her heroes’ works, eras, cultural concepts, etc., and studies and analyzes it, then add their personal touch to it—innovation ultimately occurs.

 

I have written this brief memo as a starting point: to cease imitation, which is caused by fear, and to create innovation.

  

A Solution

 

“There is no creativity and innovation without failure.”- dr. brené brown

 

Cliché as it may be, change is inevitable; nothing stays the same, so you might as well suit up and go for the ride—of course, with plan a, b + c in hand—then again, those plans may require plan d.

  

Innovation Is Queen

 

Call it the new Feminist Theory, or just what it is—if “the idea is king,” innovation is queen (Katzenberg, 1991). Sitting on a throne all her own, she is an analytic problem solver, quick witted, charismatic and even ideas are strategically protected by her. Although there are a lot of oppositions to ideas, there is no limit to her innovative moves—don’t give up, victory is a process that sometimes, takes us off course.

 ………. 

pre-order volume II of neonV ”the magazine for the contemporary peculiar woman,” to read this article in its entirety and more, here

 

Source:

Photo: *Edited version via  @stopbeingfamous

(Source: ferrarisheppard)

The beginning:
tanekeyaword:

Work in Progress: Next up a slight re-mix to my favorite peculiar Black Vamp—Katrina. #GraceJones #art #ipeculiar #peculiar #peculiarwoman #tanekeyaword #hybridchic #wip

The beginning:

tanekeyaword:

Work in Progress: Next up a slight re-mix to my favorite peculiar Black Vamp—Katrina. #GraceJones #art #ipeculiar #peculiar #peculiarwoman #tanekeyaword #hybridchic #wip

May 03

ipeculiar:

Grace Jones as Katrina. Entertainer. Sexy Vamp. 
 ©2013 Tanekeya Word 

ipeculiar:

Grace Jones as Katrina. Entertainer. Sexy Vamp

 ©2013 Tanekeya Word 

May 02

[video]

May 01

[video]

Apr 30

[video]